The Change-Up is a comedy film produced and directed by David Dobkin, written by Jon Lucas and Scott Moore, and starring Ryan Reynolds and Jason Bateman.The film was released on August 5, 2011 in North America by Universal Pictures.
Plot
Growing up together, Mitch Planko and Dave Lockwood (Ryan Reynolds and Jason Bateman) were two inseparable best friends, but as the years have passed, they have slowly drifted apart. While Dave is an overworked lawyer, husband and father of three children, Mitch has remained a single, quasi-employed man-child who has never met a responsibility he liked. To Mitch, Dave has it all: his beautiful wife Jamie (Leslie Mann), kids who adore him and a high-paying job at a prestigious law firm. To Dave, living Mitch's stress-free life without obligation or consequence would be a dream come true.
Following a drunken night out together, Mitch and Dave's worlds are turned upside down when they wake up in each other's bodies and proceed to freak out. Despite the freedom from their normal routines and habits, the guys soon discover that each other's lives are nowhere near as rosy as they once seemed. Further complicating matters are Dave's sexy legal associate, Sabrina McArdle (Olivia Wilde) and Mitch's estranged father, Mitch, Sr. (Alan Arkin). With time not on their side, Mitch and Dave struggle to avoid completely destroying each other's lives before they can find a way to get their old ones back.
Cast
* Ryan Reynolds as Mitch Planko
* Jason Bateman as Dave Lockwood
* Leslie Mann as Jamie Lockwood
* Olivia Wilde as Sabrina McArdle
* Alan Arkin as Mitch Planko, Sr.
* Sydney Rouviere as Cara Lockwood
* Mircea Monroe as Tatiana
* Lauren Bain as Sarah
* Luke Bain as Peter
* TJ Hassan as Kato
Filming
Several of the bar scenes were shot on location at a bar called Joe's on Juniper, in Midtown Atlanta.
The film was shot in Atlanta, Georgia. There were open castings at Turner Field and other venues in Atlanta.
Reception
As of August 30, 2011, the film has received generally negative reviews, attaining a 22% aggregate approval rating based on 113 reviews on Rotten Tomatoes, with a rating average of 4.5 out of 10.[10] The site's consensus is that "there's a certain amount of fun to be had from watching Bateman and Reynolds play against type, but it isn't enough to carry The Change-Up through its crude humor and formulaic plot."[10] The film also received a score of 40 out of 100 from review aggregate Metacritic, which indicates "mixed or average", based on 34 reviews.
REVIEW
"The Change-Up" is one of the dirtiest-minded mainstream releases in history. It has a low opinion of men, a lower opinion of women, and the lowest opinion of the intelligence of its audience. It is obscene, foulmouthed, scatological, creepy and perverted. As a bonus, it has the shabbiest low-rent main titles I've seen this side of YouTube.
It is a body-switch comedy. You remember those. There must have been dozens. Through some sort of magic, two characters find themselves occupying each other's bodies, or their own bodies at different ages. This can be charming, as when Tom Hanks did it in "Big" (1988) or Jodie Foster in "Freaky Friday" (1976). And remember Francis Coppola's "Peggy Sue Got Married" (1986), with Kathleen Turner becoming herself as a teenager?
To mention such movies in connection with this one is a sacrilege. Putting aside considerations of the story, "The Change-Up" sets out to violate and transgress as many standards of civilized conduct as it can. Don't get me wrong. Faithful readers know I treasure cheerful vulgarity. But readers, I've seen "The Hangover," and this is no "The Hangover."
Here you will see projectile pooping into faces. Two men exposing themselves and urinating in a "magic fountain" in a shopping mall in the presence of small children. Three tattoo artists closely scrutinizing a woman's vagina. Women systematically required to bare their breasts. Language in which non-obscene words provide an oasis. Best buddies essentially sharing the same wife.
OK, OK. In the context of a different movie, I can imagine all of those things working in a comedy. Except the public pissing. I think we can all agree that's problematical. So let's get back to the bare breasts. There are a great many of them, frequently and roughly fondled, for one reason only, and it isn't eroticism. If it were, I would sympathize. It has to do with the systematic exploitation of every actress in a film where God forbid an actor would be asked to display his penis. (We don't see penises in the urination scene. Only the kids can.)
Now consider the leading characters. They are Mitch (Ryan Reynolds), a pothead layabout, and Dave (Jason Bateman), an attorney and father of three. They've been best friends since grade school. They envy each other's lives. Through pissing in the fountain, they switch bodies and find out what that would be like.
This involves Mitch, in Dave's body, moving in with Dave's wife, Jamie (Leslie Mann), and Dave involved in Mitch's budding career as a porn actor. There is also a key role for Sabrina (Olivia Wilde), a legal aide at the law firm, who seduces Dave in the body of Mitch.
Never mind who does what and with which and to whom. The problem is that the movie requires us to accept this premise by making the characters aggressively stupid. Assume for the moment you are Jamie. Two men appearing to be your husband and his buddy Mitch claim their minds are in each other's bodies. They tell you to ask them something the other guy wouldn't know. She asks "Mitch" what "his" wedding anniversary is. Of course he doesn't remember. But asking some men for their wedding anniversary is almost a gotcha! question. For women, a wedding anniversary is as ingrained as New Year's Day. For men, it is more like Easter, and you can never remember what day it falls on this year.
A few more questions, and the testing ends. Mitch and Dave give up and reconcile themselves to their fates. Dave moves into Mitch's bachelor pad. Mitch moves into Dave's suburban home. Say what? If you found your mind in another body, wouldn't that be profoundly disturbing? Would it leave you capable of performing the duties in a movie comedy?
One problem with the movie is that it requires us to remind ourselves constantly which of these two pleasant-looking thirtysomethings is which. Another problem is that no matter which, they are both low and crude beings with no respect for decency, and their language is foul beyond the call of fictional necessity. The film, in fact, seems to go out of its way to be vulgar and offensive, as if "adult" audiences crave such an assault. Anyone who enjoys this film cannot fairly be considered an adult. Pity about the R rating. It will keep out those callow enough to enjoy it.